Arts and Aesthetics

Exhibition Review -Aishwarya Walvekar A Man of Words and Strokes Amidst the controversy of Bhupen Khakhar’s works at Tate Modern - You Can’t Please All and The Guardian’s critic Jonathan Jones labelling it as ‘an old-fashioned, second-rate artist’, stands the revealing and potent exhibition of Khakhar’s work at the National Gallery of Modern Art, New Delhi. Titled Many Facets of an Artist: Collections from Bhupen Khakhar Estate, the exhibition is a voyage through Khakhar’s works and collections unfolding facets of him being an artist. The exhibition being curated by the National Gallery of Modern Art is fairly put, although lacks originality and experimentation. It unfurls the varied mediums and methods used by the Khakhar, from pencil sketching, ink on paper, watercolor, oil on canvas to etching, linocuts, lithographs, screen prints. Among the installation are sofas painted by him and a paan stall. The exhibition also displays his vivid work on cerami

Book Review What is Art History? – Mark Roskill Second Edition The idiom, ‘a picture speaks a thousand words’, indeed, ratifies the essence of the discipline of art history. Art history deals with the study of objects of art in several discourses, including historical, social, economic, and political and development at the time the object was realized. An art historian needs to take into consideration all these elements while analyzing an art work before materializing a conclusion. Many works exist without any documentation, attributions, exact dating, etc. and the art historian needs to join all the dots and make a judgment. In such scenarios, it is the art work itself, which resonates a lot of information than any documentation. Thus, the art historian’s role is crucial and at the same time tedious. Mark Roskill in the second edition of his book ‘What is Art History?’ published in September, 1989 by the University of Massachusetts Press, Amherst, draws upon the various ro

Jait Re Jait By Aishwarya Walvekar Abstract “I foresee no possibility of venturing into themes showing a closer view of reality for a long time to come. The public itself will not have it. What it wants is a gun and a girl.”   -   D.W. Griffith Long after the ‘cinema of attractions’ lost its novelty and shine, the Hollywood cinema with its ‘happy endings’ was practiced rigorously to suffice to audience’s entertainment appetite. Romantic comedies, fictions, thrillers, suspense, fairytales were the genres which were much accepted in the society. However, film movements like the Italian Neorealism and French New Wave broke the barriers of such film making practice. India, too, faced repercussions of these movements, which resulted into parallel cinema and the Indian New Wave from 1950s. This paper will talk about a film, ‘Jait Re Jait’, made during this era and analyze the narrative structure of the film, its semiotics and the portrayal of women in the film. Introduc

Photo Courtesy: www.gallerie.net Ghashiram Kotwal Performance Analysis with Brecht’s Epic Theater - Aishwarya Walvekar Abstract “The stage is a magic circle where only the most real things happen, a neutral territory outside the jurisdiction of Fate where stars may be crossed with impunity. A truer and more real place does not exist in all the universe.”  – P. S. Baber, Cassie Draws the Universe Theater is a medium which is diverse. It can entertain, educate and spread awareness. This paper analyzes the play Ghashiram Kotwal, written by Vijay Tendulkar with Brecht’s Epic Theater dramatic techniques. Introduction Ghashiram Kotwal is originally a Marathi musical play, written by Vijay Tendulkar in the year 1972. Since its conception, it has been translated into various languages and staged worldwide. Vijay Tendulkar, a Padma Bhushan awardee (1984) was a political journalist and a playwright. He also wrote for television and cinema. Ghashiram Kotwal was hi